用英文介绍京剧？Peking Opera, once called pingju, is one of the five major operas in China.（京剧，曾称平剧，中国五大戏曲剧种之一。）The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.（场景布置注重写意，那么，用英文介绍京剧？一起来了解一下吧。
Peking Opera, once called pingju, is one of the five major operas in China.
（京剧，曾称平剧，中国五大戏曲剧种之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被视为中国国粹，中国戏曲三鼎甲“榜首”。）
Hui opera is the predecessor of Peking Opera.
（徽剧是京剧的前身。）
From 1790, the 55th year of qianlong of the qing dynasty.
（清代乾隆五十五年（1790年）起。）
The former three qing, four xi, chuntai and hechun in the south, the four hui classes came to Beijing one after another.
（原在南方演出的三庆、四喜、春台、和春， 四大徽班陆续进入北京。
如下：
Peking Opera, once called pingju, is one of the five major operas in China.
（京剧，曾称平剧，中国五大戏曲剧种之一。）
The scene layout pays attention to freehand brushwork, tone to xipi, erhuang mainly, with the accompaniment of huqin and gongs and drums.
（场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）
Regarded as the quintessence of Chinese culture, Chinese opera tops the list.
（被视为中国国粹，中国戏曲三鼎甲“榜首”。）
Peking Opera travels all over the world, with Beijing as the center and throughout China.
（京剧走遍世界各地，分布地以北京为中心，遍及中国。）
It has become an important medium to introduce and spread traditional Chinese art and culture.
（成为介绍、传播中国传统艺术文化的重要媒介。
京剧作为我国的一种传统文化，在英语的作文题目上经常会出现它的身影，下面是小编为各位同学精选的三篇有关于京剧的作文，下面就由小编我来为您详细介绍一下吧。
高分英语作文1：Introduction to Beijing Opera
Beijing Opera is being introduced to primary and secondary school students to promote traditional art to the younger generation. Among the first set of Peking Opera textbooks jointly compiled and published by the Beijing quintessence Promotion Association and the peoples education press, optional course materials have been put on trial in Fengtai District junior high schools and will be officially put into use a few days ago. Primary school textbooks will also be launched in secondary schools throughout the city, because Beijing is already in the Dozens of primary schools have launched a program to provide opera training.
During the Qianlong reign of the Qing Dynasty, it flourished in China for decades. With the spread of its fame, it attracted audiences from other countries, including the United States and Japan. However, over the years, its popularity declined, and quite a number of people listened to Peking Opera before the s Works, generations born after that pursue popular culture rather than traditional art.
中文翻译：
京剧正在向中小学生介绍，向年轻一代推广传统艺术，据《新京报》上周二报道，由北京市国粹促进会和人民教育出版社联合编制出版的全国首套京剧教材中，选修课教材已在丰台区初中试行，并将于日前正式启用在全市中学使用小学课本也将推出，因为北京已在数十所小学推行了一个提供歌剧培训的项目。
1、Beijing Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese theatres. However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the world. Beijing Opera, the very repress introduced to more audience of Chinese traditional operas, worth being of the entire world.Mrs. Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good example.2、A brief introduction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 years.It is widely regarded as the highest expression of Chinese culture. It is known as one of the three main theatrical systems in the world. Artistically, Beijing Opera is perhaps the most refined form of opera in the world. It has deeply influenced the hearts of the Chinese people. Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and Hubei. After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity during the 1790's. The charm of Beijing Opera lies in the comprehensive form of stage art. It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so on.3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than performance. These include Xi Xiang .Ii and a great number of other Yuan dynasty operas. In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into English. Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John Watts. Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and A.C. Barnes and Wildness by James Liu. Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese literature.以上资料，引用请注明出处（见“参考资料”）4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the day. As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural respectability. In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.
参考资料：浙江大学，邵佳，《戏剧翻译与文化——京剧翻译初探》，11－12页。
1、Beijing Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese theatres. However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the world. Beijing Opera, the very repress introduced to more audience of Chinese traditional operas, worth being of the entire world.Mrs. Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good example.2、A brief introduction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 years.It is widely regarded as the highest expression of Chinese culture. It is known as one of the three main theatrical systems in the world. Artistically, Beijing Opera is perhaps the most refined form of opera in the world. It has deeply influenced the hearts of the Chinese people. Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and Hubei. After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity during the 1790's. The charm of Beijing Opera lies in the comprehensive form of stage art. It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so on.3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than performance. These include Xi Xiang .Ii and a great number of other Yuan dynasty operas. In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into English. Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John Watts. Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and A.C. Barnes and Wildness by James Liu. Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese literature.以上资料，引用请注明出处（见“参考资料”）4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the day. As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural respectability. In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of modernization.
参考资料：浙江大学，邵佳，《戏剧翻译与文化——京剧翻译初探》，11－12页。
以上就是用英文介绍京剧的全部内容，Regarded as the quintessence of Chinese culture, Chinese opera tops the list.（被视为中国国粹，中国戏曲三鼎甲“榜首”。）Hui opera is the predecessor of Peking Opera.（徽剧是京剧的前身。）From 1790, the 55th year of qianlong of the qing dynasty.（清代乾隆五十五年（1790年）起。
